85 min.,16 mm & 35 mm, B/W & Color, 2.39:1, English, 2022
Screening format: 35 mm / DCP
Theatrical release (France): July 19, 2023
December 1919. The American government deports 249 anarchists and radicals on the Buford, nicknamed the “Soviet Ark.” Five years later, this same ship becomes the set of Buster Keaton’s slapstick comedy The Navigator.
A Film by: Noah Teichner / Produced by: Gaëlle Jones (Perspective Films) / Optical Printing, Rostrum Camera, Lab Work: Noah Teichner / Cinematography (Finland & Russia): Ville Piippo / Letterpress Printing: Eric Nunes (Ampersand Press Lab) / Editing: Emmanuel Falguières, Noah Teichner / Colorist: Catherine Libert / Sound Editing, Mixing: Mikaël Barre / Made at the artist-run film lab L’Abominable - Navire Argo
With the support of: CNC, Région Ile de France - FoRTE, Fondation des Artistes, Hors Pistes (Centre Pompidou), SCAM (Brouillon d’un rêve - documentaire), Art & Camera Prize (Festival de l’histoire de l’art, 2017).
“It was on the Buford, the ocean liner used by Buster Keaton in 1924 for his film The Navigator, that 249 anarchists, including Emma Goldman and Alexander Berkman, were deported from the United States to Russia five years earlier . . . during a period known as the first Red Scare.” - Érik Bullot (Trafic Almanach 2023)
“The two stories, one ‘true’ and the other imagined, unite to give shape to another captivating and haunted odyssey, in which the Buford is transformed into a ghost ship whose memory overtakes Keaton’s film from within.” - Élizabeth Franck-Dumas (Libération)
“The form of Teichner’s film is, like the famous movie-hall dream sequence in Keaton’s Sherlock Jr., almost surrealist: a split-screen juxtaposition of The Navigator and various archival materials chronicling the deportees’ journey on the same vessel.” - Jamie Aylward (Film Comment)
“Navigators’ humor and sensuousness offer a refreshing take on the essay form.” - Raphaël Nieuwjaer (Cahiers du cinéma)
“An anarchist comedy, a gag-like tragedy, the film is delirious in its precision” - Luc Chessel (Libération)

Festivals
Cinéma du réel - Paris, France (World Premiere)
L’Europe autour de l’Europe - Paris, France
États généraux du film documentaire - Lussas, France
Festival de cinéma de Douarnenez - Douarnenez, France
Aux Écrans du Réel - Le Mans, France (Opening Night Film)
Hainan Island International Film Festival
Archivio Aperto - Bologna, Italy
Al Este - Bogotá & Medellín, Colombia
Selected Screenings
Institute of Contemporary Arts (ICA) - London (April 2024)
Cinemateket/Svenska filminstitutet - Stockholm (w/ Alice Leroy, Feb. 2024)
Light Industry - New York (w/ Yve-Alain Bois, Feb. 2024)
Mezzanine/2220 Arts - Los Angeles (Jan. 2024)
Centre Pompidou - Paris (Trafic launch screening, Jan. 2023)






English
Jamie Aylward, “Ships in the Night,” Film Comment, March 20, 2023.
French
Elisabeth Franck-Dumas, “Navigators, Buster Keaton lui va à navire,” Libération, July 18, 2023.
Raphaël Nieuwjaer, “Navigators,” Cahiers du cinéma, July-August 2023, p. 28.
Alain Masson, “Navigators,” Positif, July-August 2023, p. 129.
Jean-Michel Frodon, “Du bonheur de voir double,” Slate, July 18, 2023.
Xanaé Bove, “Navigators,” Culturopoing, July 2023.
Corentin Lê, “Journal de bord,” Critikat, July 2023.
Vincent Ostria, “Buster Keaton et des anarchistes russes sont sur un bateau,” L’Humanité, July 19, 2023.
François Ekchajzer, “Navigators,” Télérama, July 18, 2023.
Occitane Lacurie, Barnabé Sauvage, “Cinéma du réel, 2022: mondes d’après,” Débordements, March 30, 2022.
Luc Chessel, “Cinéma du réel: sur tous les fronts,” Libération, March 16, 2022, p. 20-21.
Italian
Gabriele Gimmelli, “Buster Keaton sull’Arca rossa,” Doppiozero, March 12, 2022.
Silvia Nugara, “Cinéma du Réel, nuovi linguaggi su macerie e fantasmi coloniali,” Il Manifesto, March 19, 2022.
Claudio Panella, “Il reale e le sue forme cinematografiche: La vetrina del 44° Cinéma du Réel,” CultFrame - Arte Visive, March 28, 2022.
"Interview with Noah Teichner," Archivio Aperto, October 2023.
Jacopo Rasmi, “Le collectionneur et son film,” Dérives, July 2023.
Catherine Vallon, Marco Candore, "À propos du film Navigators, de Noah Teichner," Chimères, August 2023.
Occitane Lacurie, Barnabé Sauvage, “Cinéma du réel, 2022 (Entretiens): autour de la compétition française,” Débordements, April 6, 2022.
Benjamin Genissel, “Navigators de Noah Teichner: La force de la pellicule pour entremêler les histoires,” Le Blog documentaire, November 28, 2022.
Érik Bullot, “Notes sur les fantômes,” Trafic Almanach 2023 (Paris: P.O.L., 2022), p. 11-16 (for Navigators, see p. 13-14).
Noah Teichner, “La collection de Navigators,” Trafic Almanach 2023 (Paris: P.O.L., 2022), p. 260-266.
85 min.,16 mm & 35 mm, B/W & Color, 2.39:1, English, 2022
Screening format: 35 mm / DCP
Theatrical release (France): July 19, 2023
December 1919. The American government deports 249 anarchists and radicals on the Buford, nicknamed the “Soviet Ark.” Five years later, this same ship becomes the set of Buster Keaton’s slapstick comedy The Navigator.
A Film by: Noah Teichner / Produced by: Gaëlle Jones (Perspective Films) / Optical Printing, Rostrum Camera, Lab Work: Noah Teichner / Cinematography (Finland & Russia): Ville Piippo / Letterpress Printing: Eric Nunes (Ampersand Press Lab) / Editing: Emmanuel Falguières, Noah Teichner / Colorist: Catherine Libert / Sound Editing, Mixing: Mikaël Barre / Made at the artist-run film lab L’Abominable - Navire Argo
With the support of: CNC, Région Ile de France - FoRTE, Fondation des Artistes, Hors Pistes (Centre Pompidou), SCAM (Brouillon d’un rêve - documentaire), Art & Camera Prize (Festival de l’histoire de l’art, 2017).

“It was on the Buford, the ocean liner used by Buster Keaton in 1924 for his film The Navigator, that 249 anarchists, including Emma Goldman and Alexander Berkman, were deported from the United States to Russia five years earlier . . . during a period known as the first Red Scare.” - Érik Bullot (Trafic Almanach 2023)
“The two stories, one ‘true’ and the other imagined, unite to give shape to another captivating and haunted odyssey, in which the Buford is transformed into a ghost ship whose memory overtakes Keaton’s film from within.” - Élizabeth Franck-Dumas (Libération)
“The form of Teichner’s film is, like the famous movie-hall dream sequence in Keaton’s Sherlock Jr., almost surrealist: a split-screen juxtaposition of The Navigator and various archival materials chronicling the deportees’ journey on the same vessel.” - Jamie Aylward (Film Comment)
“Navigators’ humor and sensuousness offer a refreshing take on the essay form.” - Raphaël Nieuwjaer (Cahiers du cinéma)
“An anarchist comedy, a gag-like tragedy, the film is delirious in its precision” - Luc Chessel (Libération)




Festivals
Cinéma du réel - Paris, France (World Premiere)
L’Europe autour de l’Europe - Paris, France
États généraux du film documentaire - Lussas, France
Festival de cinéma de Douarnenez - Douarnenez, France
Aux Écrans du Réel - Le Mans, France (Opening Night Film)
Hainan Island International Film Festival
Archivio Aperto - Bologna, Italy
Al Este - Bogotá & Medellín, Colombia
Selected Screenings
Institute of Contemporary Arts (ICA) - London (April 2024)
Cinemateket/Svenska filminstitutet - Stockholm (w/ Alice Leroy, Feb. 2024)
Light Industry - New York (w/ Yve-Alain Bois, Feb. 2024)
Mezzanine/2220 Arts - Los Angeles (Jan. 2024)
Centre Pompidou - Paris (Trafic launch screening, Jan. 2023)


Press
English
Jamie Aylward, “Ships in the Night,” Film Comment, March 20, 2023.
French
Elisabeth Franck-Dumas, “Navigators, Buster Keaton lui va à navire,” Libération, July 18, 2023.
Raphaël Nieuwjaer, “Navigators,” Cahiers du cinéma, July-August 2023, p. 28.
Alain Masson, “Navigators,” Positif, July-August 2023, p. 129.
Jean-Michel Frodon, “Du bonheur de voir double,” Slate, July 18, 2023.
Xanaé Bove, “Navigators,” Culturopoing, July 2023.
Corentin Lê, “Journal de bord,” Critikat, July 2023.
Vincent Ostria, “Buster Keaton et des anarchistes russes sont sur un bateau,” L’Humanité, July 19, 2023.
François Ekchajzer, “Navigators,” Télérama, July 18, 2023.
Occitane Lacurie, Barnabé Sauvage, “Cinéma du réel, 2022: mondes d’après,” Débordements, March 30, 2022.
Luc Chessel, “Cinéma du réel: sur tous les fronts,” Libération, March 16, 2022, p. 20-21.
Italian
Gabriele Gimmelli, “Buster Keaton sull’Arca rossa,” Doppiozero, March 12, 2022.
Silvia Nugara, “Cinéma du Réel, nuovi linguaggi su macerie e fantasmi coloniali,” Il Manifesto, March 19, 2022.
Claudio Panella, “Il reale e le sue forme cinematografiche: La vetrina del 44° Cinéma du Réel,” CultFrame - Arte Visive, March 28, 2022.
Interviews
Jacopo Rasmi, “Le collectionneur et son film,” Dérives, July 2023.
Catherine Vallon, Marco Candore, "À propos du film Navigators, de Noah Teichner," Chimères, August 2023.
Occitane Lacurie, Barnabé Sauvage, “Cinéma du réel, 2022 (Entretiens): autour de la compétition française,” Débordements, April 6, 2022.
Benjamin Genissel, “Navigators de Noah Teichner: La force de la pellicule pour entremêler les histoires,” Le Blog documentaire, November 28, 2022.
Essays
Érik Bullot, “Notes sur les fantômes,” Trafic Almanach 2023 (Paris: P.O.L., 2022), p. 11-16 (for Navigators, see p. 13-14).
Noah Teichner, “La collection de Navigators,” Trafic Almanach 2023 (Paris: P.O.L., 2022), p. 260-266.